OPAC : Princess Maha Chakri Sirindhorn Anthropology Centre Library

Found: 7 Titles

Order by : Show: Per Page

Select Page | Deselect Page | Export saved(0) | Clear saved(0)

save

“That Is Film, Not Simply Footage Which Lacks a Soul”—Jorge Prelorán and Ethnographic Cinema.

Author

Campo, Javier.

Source

Visual anthropology.vol. 32, no. 5 (Oct.-Dec. 2019), p. 404-422 :ill ISSN0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

Sara Jahan Hamara: Indian Films and Their Portrayal of Foreign Destinations.

Author

Jain Pankaj.

Source

Visual anthropology. vol. 32, no. 3-4 (May-Sep. 2019), p. 343-352 ISSN0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

Ecstasy, Choreography and Re-Enactment: Aesthetic and Political Dimensions of Filming States of Trance and Spirit Possession in Postwar Southern Italy.

Author

Schauble, Michaela.

Source

Visual anthropology. vol. 32, no. 1 (Jan./Feb. 2019), p. 33-55 : ill ISSN 0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

The Multiple Being: Multispecies Ethnographic Filmmaking in Arnhem Land, Australia.

Author

Fijn, Natasha.

Source

Visual anthropology.vol. 32, no. 5 (Oct.-Dec. 2019), p. 383-403 :ill ISSN0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

Exposing Diversity: A Methodological Approach to the Use of Video Narratives in Interdisciplinary Practices.

Author

Nortoft, Kamilla.

Source

Visual anthropology. vol. 32, no. 1 (Jan./Feb. 2019), p. 56-75 ISSN 0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

Yellow Woman: Suspicion and Cooperation on Liberia's Gold Mines.

Author

Hoffman Danny.

Source

American anthropologist. vol. 121, no. 1 (Feb. 2019), p. 138-148 : ill ISSN 0002-7294

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

save

Cameras at Work: Dusty Lenses and Processed Videos in the Quarries of Hyderabad.

Author

Messier Philippe.

Source

Visual anthropology. vol. 32, no. 3-4 (May-Sep. 2019), p. 287-308 : ill ISSN0894-9468

Location

ห้องสมุดศูนย์มานุษยวิทยาสิรินธร (องค์การมหาชน)

Article

Search Tools: Get RSS Feed

Search again

Author

Subject

Publish year

Source Types

Location

Language

Illustrations

Target audience

Form of item

Nature of contents

Government publication

Conference publication

Festschrift

Literary form

Biography

Found: 7 Titles

“That Is Film, Not Simply Footage Which Lacks a Soul”—Jorge Prelorán and Ethnographic Cinema.

Sara Jahan Hamara: Indian Films and Their Portrayal of Foreign Destinations.

Ecstasy, Choreography and Re-Enactment: Aesthetic and Political Dimensions of Filming States of Trance and Spirit Possession in Postwar Southern Italy.

The Multiple Being: Multispecies Ethnographic Filmmaking in Arnhem Land, Australia.

Exposing Diversity: A Methodological Approach to the Use of Video Narratives in Interdisciplinary Practices.

Yellow Woman: Suspicion and Cooperation on Liberia's Gold Mines.

Cameras at Work: Dusty Lenses and Processed Videos in the Quarries of Hyderabad.

About us

Statistics

Recent News

Useful Links

Contact Us

Search Results

Search again

Found: 7 Titles

“That Is Film, Not Simply Footage Which Lacks a Soul”—Jorge Prelorán and Ethnographic Cinema.

Sara Jahan Hamara: Indian Films and Their Portrayal of Foreign Destinations.

Ecstasy, Choreography and Re-Enactment: Aesthetic and Political Dimensions of Filming States of Trance and Spirit Possession in Postwar Southern Italy.

The Multiple Being: Multispecies Ethnographic Filmmaking in Arnhem Land, Australia.

Exposing Diversity: A Methodological Approach to the Use of Video Narratives in Interdisciplinary Practices.

Yellow Woman: Suspicion and Cooperation on Liberia's Gold Mines.

Cameras at Work: Dusty Lenses and Processed Videos in the Quarries of Hyderabad.

About us

Statistics

Recent News

Useful Links

Contact Us